‘Unbroken’ tells half of Japan’s war story

See HERE for more picture of Omori POW Camp,
One of Camps where Zamperini was held

“Unbroken” describes not just Louis Zamperini’s spirit, but the resilience of Japan’s rightists.

By James Gibney, Editorial Writer on international affairs for Bloomberg View and APP Member.

First Published by Bloomberg News, December 31, 2014


In the just-released film “Unbroken,” as in real life, U.S. Army Air Corps Lt. Louis Zamperini was beaten, starved and forced to work as a slave laborer by his Japanese captors.

Things could have been worse. Like some other war prisoners held by the Japanese, Zamperini could have been used in biological warfare experiments. Or vivisected. Or beheaded, with parts of his body then eaten by his captors. As the historian Daqing Yang notes, 9 out of 10 U.S. POWs who died in captivity in World War II did so at the hands of the Japanese.

In Japan, where “Unbroken” does not yet — and may never — have a release date, right-wing nationalists have protested the film as racist and inaccurate. “It’s pure fabrication,” asserted a representative of one such pressure group, the Society for the Dissemination of Historical Fact. Online petitions have described director Angelina Jolie as a “demon” and called for her to be banned from Japan.

Unfortunately, the attacks on Jolie’s film, which is really much less about Japanese brutality than the resilience of the human spirit, are part of a revisionist recrudescence under the administration of Prime Minister Shinzo Abe. Several of his Cabinet members and appointees have pushed to whitewash or deny the Japanese military’s forced wartime recruitment of women as prostitutes, the 1937 Nanjing Massacre of Chinese civilians by Japanese troops and other wartime atrocities, targeting journalists and scholars who dare to disagree.

Such behavior has roiled Japan’s relations with China and South Korea and undermined its alliance with the United States. And it has cast an ugly shadow over the impending 70th anniversary of World War II’s end. Yet that occasion also offers an opportunity for both Japan and the U.S. to relearn lessons about the uses and abuses of history, beginning with the folly of trying to cover it up.

In the two weeks following the end of hostilities on Aug. 15, 1945, and the arrival of the first U.S. troops on Aug. 28, Japan’s military engaged in a wholesale destruction of its files. Some Japanese historians estimate, for instance, that as much as 70 percent of the army’s wartime records were lost. Although the Americans, British, Chinese, Dutch, Filipinos and Russians each held separate war-crimes trials of Japanese defendants, their documentation has never been gathered in one place, making it harder to access. Meanwhile, Japanese rightists have sought to discredit the remembered accounts of Korean “comfort women” as anecdotal or concocted memory. They have also exploited inaccuracies in sensationalist best-sellers such as Iris Chang’s “The Rape of Nanking” to try to discredit larger truths.

Yet not only have many Japanese contributed unflinching histories of Japan’s wartime behavior — many available in English — but voluminous, and damning, official records exist that have yet to be fully exploited. In 2006, the U.S. government’s National Archives and Records Administration published “Researching Japanese War Crimes,” a guide to U.S. intelligence reports, captured Japanese documents and contemporary news accounts contained in various U.S. public archives.

It’s not the kind of stuff you want to read on a full stomach: In the National Archives, for instance, you can find the transcript of the trial of Japanese officers who ordered the execution, and then the cooking, of four U.S. Navy airmen downed in raids on Chichi-Jima — a fate that Lt. George H.W. Bush, who was also shot down on the raid, barely avoided.

To their credit, many Japanese scholars have drawn on such materials in their own work: U.S. documents on Japan’s biological warfare experiments on Chinese prisoners, for instance, helped to blunt the 1980s attempt by Japan’s Ministry of Education to censor references to such crimes in history textbooks.

Any forthright exploration of Japan’s wartime cruelties, of course, must be matched by an acknowledgment of the battlefield savagery of U.S. troops in the Pacific, where some members of the Greatest Generation pried gold teeth out of the mouths of still-living Japanese soldiers, strafed airmen in their parachutes, shot surrendering soldiers and sent Japanese skulls home to their sweethearts as table ornaments. Compared with the European theater, it was not exactly the Good War: “Subhuman, inhuman, lesser human, superhuman — all that was lacking in the perception of the Japanese enemy was a human like oneself,” observed the historian John Dower.

Moreover, U.S. archives lay bare another troubling aspect of U.S. wartime history: the willingness to collaborate with Japanese war criminals in the name of larger strategic interests. As Michael Petersen documents, Gen. Charles Willoughby, a die-hard anticommunist who was Douglas MacArthur’s intelligence chief, oversaw a (remarkably feckless) postwar spy network that included Masanobu Tsuji, the Imperial Army officer who helped organize the Bataan Death March that killed so many of the U.S. soldiers that MacArthur abandoned in the Philippines.

Still missing are documents showing what happened to data from the human experiments by Unit 731, the notorious Japanese chemical and biological warfare outfit headed by Gen. Shiro Ishii, who was never prosecuted by the Allies. The records also shine a light on the expedient clemency policies toward suspected war criminals such as Nobusuke Kishi, a postwar prime minister who also happens to be Abe’s grandfather.

That raises a final historical irony worth pondering over the coming anniversary year: the U.S. responsibility for shielding the progenitors of Japan’s latter-day revisionists from accountability and prosecution. Even as late as the 1990s, the U.S. State Department was arguing against releasing information on early Cold War payments by the CIA to right-wing politicians from Japan’s ruling Liberal Democratic Party. Such behavior helps explain why “Unbroken” describes not just Louis Zamperini’s spirit, but the resilience of Japan’s rightists.